“Bohemian Rhapsody” is a perfect film and a lovingly rendered bio-pic. The alternating use of close-ups and panoramic views seem to distil the essence of the man/boy and performer, Freddie Mercury. Don’t miss this paen to the band “Queen”.
From his cats to his arm waving stage prance, we get to know the young graphic designer as he writes song lyrics and sings his heart out. Born Farrokh Bulsara in Zanzibar, like any twenty-something, he seeks freedom to be who he is. This means a gentle, parental rebellion, and later an admission of his bi-sexuality.
Actor Rami Malek deserves an Oscar for his role as Freddie Mercury. Passion for music and connection pulses through every frame. “ Can Anybody Find Me Someone To Love”, “We Are The Champions”, and of course, “Bohemian Rhapsody” enthrall. “Love Of My Life” as tender as you will see it done.
Malek is supported by a superb cast. The band: guitarist Brian May (Gwilym Lee), drummer Roger Taylor (Ben Hardy),and bassist John Deacon ( Joe Mazzello) are developed just enough for you to care about them. Their frustration is understandable; their anger palpable, and their love for Mercury raises this film to a true legacy piece, even as one band member reverts to Shakespearean insults like “ You treacherous piss flap”. I, also, appreciated the “angry lizard look” costume comment.
Lucy Boynton, as Mercury’s forever girlfriend, develops a Mary Austin one can believe in. The scene at the dinner table with her deaf father is memorable. On the other end of the spectrum, the same goes for the villainous Paul, played by Allan Leech. Paul is known as the snake who tried to break up the “Queen” family. His attempted isolation of our star has Freddie blaming himself and calling Paul a fruitfly that feasts on rotten.
Mercury’s mixed genres and refusal to revert to a formulaic core shows both his genius and the joy of creating. His world tours are flashed on the screen: Rio, Osaka, Perth etc…When Mary is left alone and asking what Freddie wants from her, we sigh at his answer: “Almost Everything.”
Writers Anthony McCarten and Peter Monyan have done a good job distilling twenty some formative years into a musical bio-pic. I loved the close-up of the Rolls-Royce hood ornament, the mic, and rings and studs. Directors Brian Singer and Dexter Fletcher show Mercury’s flaws, but focus on his revolutionary soul~ a real plus. John Ottman is an editor who knows how to pace both action and emotion.
The depth of character displayed was more than I was looking for. Mercury’s aside to Mary, “Being human is a state that requires anesthesia” was enough explanation. Jim Hutton, Mercury’s lover, seems like the embodiment of Freddie’s father’s mantra of “good thoughts, good words, good deeds”. His “Come and find me when you decide to like yourself” rocked for our rock star. Dead from AIDs at forty-five, Queen’s “Carry on, Carry on” will have tears rolling down your face. “ Bohemian Rhapsody” ranks in my top five films for 2018.