“Baby Driver”

“Baby Driver” will not give you pause. Rather this Edgar Wright action film will give you musical beats to drum through every car maneuver known to man, all seen before. Centered on the back story of our driver, who lost both parents in a car crash at the age of six, we wonder why fast cars fascinate. In a flashback, we see Baby strapped in the backseat watching his parents argue before mom rams into the back of a tractor trailer.

Besides serial car chases and robbery heists, we have a love at first sight complication as our young driver falls for last year’s Cinderella, Lily James, now decked out in waitress garb including her embroidered name, Debora. The music continues and there is some cute repartee about nomenclature in song. Babe suffers from residual tinnitus since his early accident, and the perpetual ear bud lyrics give him relief and give our movie the beat it needs.

Ansel Elgort plays our everyboy, who owes a debt to Doc (Kevin Spacey). He stole Doc’s Mercedes! But Spacey is the criminal mastermind who never enters a bank and never uses the same crew of wastrels twice, but Babe is his getaway driver, par excellence. A grizzled Jon Hamm and an equally thuggish Jaimie Foxx seem to enjoy their farcical characters while looking occasionally embarrassed.

Our setting is Atlanta, Georgia. Our title taken from a Simon and Garfunkel song. Our car initially a supped up, lipstick-red Subaru. British director and writer Edgar Wright has Baby recording his team’s conversations and then making music from the detritus. My favorite being “He Is Slow”. The driving for these series of brazen heists proves the reverse.

The dialogue is as bad as one would expect, “You get feelings in this job- you die.” intones Bats. (Jaimie Foxx). Bats shoots a store clerk for a few boxes of gum.” Tequila” plays like a music video amid gun shots. Elgort dances, runs, glides, and jumps through the Peachtree Mall after playing parking garage gladiator with Jon Hamm. Babe ends up on a bridge with Debora saying, “You don’t belong in this world” as he tosses his keys. Baby ends up in prison, but will be paroled in five years. Debora sends him tons of postcards, and we see them heading West on Route 66 with the radio blaring. Like I said above, nothing gave me pause in this movie except the 98% approval rate from “Rotten Tomatoes”.

“Me, Earl, and the Dying Girl” and “The Fault In Our Stars”

Last year on June 6th, 2014, opening night, I saw John Greene’s film adaptation of “The Fault In Our Stars” with my husband, and two-hundred high school girls all in short-shorts. Evidentially, short-shorts are the “new thing” again, though I surmise their rise saves fabric for the industry as the one button cardigan saved money for the industry a few years back.

Greene’s book was better, deeper, and more literary with its Emily Dickinson allusions and major philosophical glimmerings than the film, but the second half of the adaptation is worth seeing. The first twenty minutes is slow with too much time given to Hazel’s early diagnosis and treatment, but once Hazel and Augustus hit Amsterdam,you remember first love.

Ansel Elgort (Augustus) is wonderful in his ability to show facial emotion, and Shailene Woodley is earnest and so believable as one of the dying teens. I liked Wilhem Defoe in an author’s role~here crazed and egotistical. I wish more time was spent on why Hazel so admired his book. I missed parent’s roles in the film, especially the warmth that the families showed in everyday dialogue. Laura Dern ,as Hazel’s mother, was well-portrayed as the mother who would come running sodden from her shower if need be. Gus’ parents were not given much play in the script. This is a shame because Greene developed these characters so well that Hazel and Gus’ story became their story,too.

This year’s piggyback film, “Me, Earl,and The Dying Girl” is more flawed, and certainly not an improvement on “The Fault In Our Stars”. With my own mother, a dear neighbor’s daughter, and a former student’s child all suffering from blood diseases, I was not in a hurry to be reminded that blood is life’s flow. With dire warnings of depression, nausea, and general hopelessness, I made my way to Director Alphonso Gomez-Regon’s “it was the best of times, it was the worst of times” classic story start. From the general info of “this is what high school is like” with its tribes and nations (what we called “cliques” )the filmgoer is goosed with claymation-like mini-figures of a moose and a chipmunk. These animals and their interplay are supposed to conceptualize our protagonist’s fears when approached by an attractive female classmate.

In fact, crafts play a big part in “Me, Earl, And The Dying Girl”. The lovely and expressive Olivia Cooke (Rachel) scissors vignettes from the middle of her absent father’s favorite books, Earl (R.J.Cyler) slices red felt into hemoglobin cell props for a film gift to Rachel, and Greg ( Thomas Mann) uses self-created miniatures to depict his voice overs and his film parodies. The film parodies are some of the funniest moments as button-faced socks and orange juice become “Sock Work Orange” instead of “Clockwork Orange”, and “Eyes Wide Butt” becomes “Eyes Wide Shut”. “Breathe Less” for “Breathless” and “Rosemary Baby Carrots”, “2:48 Cowboy”, and “The 400 Bros” are a few others.

If Greg is “invisible, self-hating and detached” as Rachel at one time sums up his character. He is also bright and funny in his self-deprecation. The narcissism of emerging adults is well shown. “It’s me, in convenient gel form.” Greg announces to the drug -dosed patient. Later, Greg offers a strong dose of “gregitol”. Placing Rachel in the “boring, Jewish girls sub.group 2A ” further makes Greg seem like he is daily having lunch in Kandahar.

I have not read the Jesse Andrews book, but I did not like the adult depictions in his screenplay. Unlike John Greene’s depictions, Andrews shows well-meaning,but dysfunctional parents. Nick Offerman as Greg’s father is always in his bathrobe,sometimes leather belted,always holding his Persian cat, always eating gourmet entries and talking about his on-going academic thesis. Greg’s mother (Connie Britton)is always pushing and gently nagging,yet she does not seem to be aware that Greg is failing the last semester of his senior year. In one rather funny scene,Britton’s yammering,her non-stop word stream,turns Greg into a swirming worm on his bedroom floor. Her son calls his mother the Le Bron James of nagging. No teacher,not even the favored history/counselor Mr. McCarthy calls or effectively intervenes: all easy support with no effective outcome. Rachel’s mother (Molly Shannon) drinks to numb her pain and “comes on” to the boys for some inappropriate succor. Offering teens alcohol is her added recipe for pain release. Even the “adult” limo driver for the senior prom is an real clown. Rachel’s father primarily talked to her by counting squirrels on their walks. Adults don’t fair well in this film.

Greg offers a few silly ,laughter-causing remedies for Rachel:”Enter a sub-human state” or “pretend you are dead”. The latter he apologizes for,for its insensitivity. Screen headings like “Day One Of A Doomed Relationship” remind us that this is Greg’s journey in befriending a mortality -challenged girl. Rachel is in stage four cancer,yet she helps Greg write his personal essay for his college app. and later sends an excuse for his lack of diligence.We know she is his real mentor for his future. I think this last awakening is the reason for the Sundance ¬†Audience Award. Learning how to keep learning about a lost one is a conscious force of will. Skimming the surface of a person is a poor substitute for diving in. Greg returning to Rachel’s room and finding squirrels among the treed wall paper is one of my favorite scenes.

Brian Endo does a beautiful job with the original score. The cinematography is stifling indoors, but an attempt is made to use stairways and narrow, sky-lit pathways to elevate the horizon. Overall, I preferred the romantic treatment of “The Fault In Our Stars” to the awkward push/ pull friendships in “Me”. And “Dope”, previously reviewed, is a better coming of age film,yet.