“Call Me by Your Name”

Director Luca Guadagnino has given us a sensual ode to first love. While we all can identify with those feelings of being completely enveloped in another, “Call Me By Your Name” is a gay film. The screenplay by James Ivory is based on a novel by Andre Aciman. Greek statuary and Whitman’s body electric are on full display. Lovely Northern Italian scenes of fountains, orchards, and riversides mesh with stonewalled villas and alfresco dining. The handsome Armi Hammer is Oliver, 24 , brilliant, confident, and charming. An American doctoral student ready for a six-week stint helping an archeology professor ( Michael Stuhlbarg ) and father to seventeen year-old, Elio. ( Timothee Chalamet)  We know what the circumstances will ignite, but it will be a slow, romantic smolder. This is a film with no gender boundaries in love.

Timothee Chalamet is amazing as the young virtuoso pianist, who is both embarrassed and controlled by his gonads. This is a coming-of-age film and a celebration of the joy two people can feel when they appreciate and understand each other. At the same time, when Elio puts Oliver’s bathing trunks over his head and breathes deeply, we laugh at his impetuosity. Chalamet was also the love interest in the film “Lady Bird” . His easy change from  sophisticate  to innocent is fun to compare.

The themes of  pain and joy in total intimacy and their  obsession reminds me of Scott Spencer’s  novel “ Endless Love”. It may not be healthy, but it is romantic. Scenes where Elio places his matching Star of David necklace on his own body are as sweet as the juicy peach scene. The staring into the fire ending will melt your heart.

Armi Hammer is an Adonis who can not dance, but glows in Elio’s rapture. As Oliver, his  flirtatiousness and self-restraint are attractive end marks in his personality. We smile at his easy American nonchalance, even his chambray shirt. We know he cares deeply. All this is entwined with academic discussions on Brunel’s cinema, 17th c. German romance readings, and glorious pond swims in freezing alpine drifts.

Elio’s father’ s reaching-out speech elevates Elio’s suffering  and experience, though it made me a tad sad for Mr. and Mrs. Perlman’s marriage. Somehow, after viewing this film, the title made consummate sense. “Call Me By Your Name” or taking on your lover’s name personifies oneness here. It is a lovely film about human connection. Life tells me there will be a sequel, and that some many re-visit “ The Cosmic Fragments of Heraclitus” and the art and thought of other pre-Socratic philosophers.

 

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Christine Muller

Carrying a torch for film is what I have done for over forty years, thus the flambleau flamed when I was urged to start a blog. Saving suitcase loads of ticket stubs was no longer relevent so I had to change the game. Film has been important for me in the classroom and a respite for me outside of it. No other art form seems to edge the frayed seams of life as neatly as when a film is done well. I am happy that over one-hundred countries have citizens viewing my thoughts on Word Press, and a few leaving their own with me. Over eight- hundred comments to date, and over two-hundred films reviewed.

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