“Burnt”

In this restaurant film when lovely blue thistles are displayed London-side, we are ready for a prickly chef; but, two-starred Michelin winner Adam Jones (Bradley Cooper) is known for sending out porcupine quills. With his bad-boy eye glints, Cooper can play an arrogant prick and so can Matthew Rhys, his co-star. The “Hell’s Kitchen” kind of abuse with the screaming, throwing and demands for control and perfection is much of the film, for sure. But there are surprises. Sy Omar’s cayenned palm being the most memorable. In fact, the supporting cast is what makes this film work. Uma Thurmond as charmed lesbian food critic, Emma Thompson as uncharmed therapist, Daniel Bruhl as besotted owner and maitre’d all bring the hum of life to the food scene.

This testosterone kitchen where “good” means “not good enough”is the Langham. We get the twelve-tone scale as background music as we see scrupulous dishes prepared,plated and delivered. Saliva flows and forks are lined-up,water glasses filled and wine paired. A spot on a glass, a fingerprint on a platter’s edge will keep the goal of a third Michelin star at bay. Sienna Miller plays the talented sous chef,Helene. Her single-mother status and pluck contribute a romantic and familiar interest. How else to change the narcissist! Writer Steven Knight has written some good lines especially for Reece ( Matthew Rhys). He books a reservation under his priest’s name so he can give the last rights.

Cooper makes us care about his second redemption: we have endured his penance of shucking one million oysters already. We get the drugs, the womanizing, the alley fights, the ” would-you-work-for-me-for-nothing” arrogance; the releasing of rats on the completion, not so much so. His Parisian badness still earns him the knives of his mentor Jon-Luc and the forgiveness of Jon-Luc’s daughter. Director John Wells gives us a well-made date movie while not tasting anything new. I’d say “yes,chef” to this one for a slice-of-life savor. There is strength in needing others probably can not be said enough times. No bodies were found floating in the Thames,or sighs at the movie’s end.

Published by

Christine Muller

Carrying a torch for film is what I have done for over forty years, thus the flambleau flamed when I was urged to start a blog. Saving suitcase loads of ticket stubs was no longer relevent so I had to change the game. Film has been important for me in the classroom and a respite for me outside of it. No other art form seems to edge the frayed seams of life as neatly as when a film is done well. I am happy that over one-hundred countries have citizens viewing my thoughts on Word Press, and a few leaving their own with me. Over eight- hundred comments to date, and over two-hundred films reviewed.

7 thoughts on ““Burnt””

  1. Christine’s critique provides an apt summation of another Bradley Cooper winner. I read usatoday’s movie reviews every Friday, but I missed its “Burnt” review, so I appreciate Christine’s specificity and elaboration of Uma Thurman and Emma Thompson roles.

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