“Calvary”

Don’t bother seeing Brendan Gleeson in “Calvary” unless you want to see a film that plays to Irish stereotypes of the derogatory kind. The whole parish is filled with ugly types in the premise that the viewer will have fun guessing who is plotting the killing of the good priest. Rage over childhood rape fuels the revenge, and the offending priest is long dead, and besides murdering a good priest will produce more pain.The revenge film structure merges with dark comedy and mystery, yet a farce emerges.

Cheesy graphics mark off the weekdays in the left hand corner of the big screen, and cheesier music and lyrics guide the audience just in case the duller members can’t follow Mr. Gleason’s emotional state. Though the film attempts to prove that “forgiveness is the most neglected virtue”, this film actually does the opposite. The crude violence seems like it belongs in another movie. The lab scene where a cigarette is stubbed out on a heart specimen was too much for this viewer.

Disrespect of all kinds does not a noir film make, and this botched one seems like an ill-conceived morality tale to boot. The few positives were watching Brendan Gleeson emote, and the County Sligo environs. As the credits rolled,the afterward did capture the loss of this good man, crucified for the sins of others. Sadly, most of the audience did not stay for these last goodbyes.

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Christine Muller

Carrying a torch for film is what I have done for over forty years, thus the flambleau flamed when I was urged to start a blog. Saving suitcase loads of ticket stubs was no longer relevent so I had to change the game. Film has been important for me in the classroom and a respite for me outside of it. No other art form seems to edge the frayed seams of life as neatly as when a film is done well. I am happy that over one-hundred countries have citizens viewing my thoughts on Word Press, and a few leaving their own with me. Over eight- hundred comments to date, and over two-hundred films reviewed.

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